Time: a philosophical project written like a science fair project

The goal: give an account of time

The trick: understand it’s reality though the sense of hearing as opposed to sight.

The hope: that, because hearing seems to be closer to time that it will throw more light on it (e.g. a melody relies on time for its existence in a more integral way than, say, a brick), and to resolve some of the conundrums about time by seeing them as making assumptions about time that apply only to visual experience and not to auditory experience.

The project: figure out what counts as real or not to the sense of sight. Use this primarily as a contrast to what counts as real to.

What is Unseen?

1.) What is in the dark.

2.) What is in ultraviolet or infrared light.

3.) The borders of the visual field (depending on what one means, this is somewhere between 188 and 10 degrees)

4.) All in the negative visual field (when we see 10 degrees of information, the negative field is 360 – 10 degrees)

Hypothesis: by “the seen” we usually mean what falls in the visual field, and is so “at once”. But the heard seems to be comparable to something continually entering and exiting the visual field. Sight does not depend on the negative visual in the way that hearing depends on its analogue to this.

The visual field does not depend on the negative field. There is no contradiction in a 360 degree field – it might even count as a perfection. But hearing does depend on the negative field.

Here we get one resolution to Parmenides’s problem, which Aristotle failed to answer: if something exists, it exists now, and so it is impossible for something to arise from it or depend on it. This is true where “exists” is understood visually, but not when it is understood audibly, since this depends on its own anti-field in a way that the visual need not.

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